The Three Choirs Festival is a major event in the British musical calendar, so it was an honour to take part in this year's festival in Hereford.
Our managing director, Terry Shires, talked about about his career in pipe making and the history of the trade in All Saints' Church, High Street, Hereford, on August 3.
During the well-received session, he also gave a demonstration of pipe making by creating a replica of the middle C Great Principal pipe in the organ at Worcester Cathedral.
He says: "I have done many demonstrations like this over the years, and I always ask for a volunteer to have a go at soldering. Kris Johnston made a great job and I presented her with the pipe I finished and voiced."
In other news, we are delighted to be working with the distinguished American reed voicer, Chris Broome, who specialises in voicing reeds made by Skinner. Broome & Co was established in East Granby, Connecticut, in 1998 by Chris and David Broome to satisfy a need in the pipe organ industry for quality voicing and organ pipe reconditioning and repair services.
Their company is recognised as a specialist in the restoration of reed stops in pipe organs by major 20th century North American organ builders. We look forward to helping them in any way we can.
When the authorities who care for the Lewis organ in the Kelvingrove Art Gallery, Glasgow, wondered how to collect donations for the instrument's upkeep, the penny quickly dropped.
They turned to Shires – and we were delighted to make an 8ft Principal display pipe from polished zinc complete with a slot for notes or coins. It contains a canister to receive the money and a padlocked hinged plate at the rear to access it.
The three-manual Kelvingrove organ, of 48 speaking stops, was built in 1901and hired from Lewis for the Glasgow International Exhibition of the same year. It was bought by the Glasgow Corporation in 1902 and moved to the new art gallery.
In 1941, the gallery was damaged during an air raid and the organ was considered unplayable. Repairs were made and the instrument was fortunate to escape any attempts to modernise it. The organ continued to flourish until the mid-1970s, when its condition deteriorated, and a full restoration became necessary.
For enthusiasts, the glory of the instrument is the retention of its character as an outstanding example late 19th century organ building. This is the specification.
We were delighted to be involved in the renovation of the organ in New York’s oldest public building, St Paul’s Chapel, Trinity Parish.
The three-manual instrument, built for the Church of the Redeemer, Chestnut Hill, was transferred into the historic case of St Paul’s Chapel by Massachusetts organ builder Noack.
The organ received extensive modifications and upgrades, including a new swell enclosure. The team at Shires Organ Pipes made the new swell reeds, pedal trombone and facade pipes for this important project.
The console is now attached en fenêtre and the stoplist has remained very similar to the original. A video has been produced showing the installation of the organ and offering a demonstration of its capabilities.
We believe that our colleague, George Fowler, makes the best mixtures in the world. And so do many organ builders in this country and overseas who rely on his meticulous craftsmanship. This III - V rank Mixtur has just been completed and is destined for an organ builder in Europe.
The remarkable contribution of organist Ian Barber to the life of Belfast Cathedral over 35 years was recognised at a special Choral Evensong.
Among the many tributes was one by a former choir lay clerk, Philip Prosser, left, who presented Ian with a gift of a mounted, embossed organ pipe in polished tin.
Philip says: “It was beautifully made in the workshop of my friend Terry Shires with the wooden walnut mount by my son Steve, himself a past chorister of the Cathedral.”
We were delighted to be invited to make this gift to a dedicated and widely respected cathedral musician.
It is always a pleasure to receive appreciation from an expert in his field, so we were delighted by a message sent to us by James Atherton, head voicer of the organ builder, Nicholson and Co.
Every member of our team in Leeds strives to make the best possible organ pipes and we were gratified by James' recognition of this.
He wrote: "Shires' pipes are, in my opinion, some of the finest in the world. Terry is so very easy to work with and keen to experiment with different scales and materials to deliver exactly what we are after. The quality of the pipes is exceptional and they virtually voice themselves. If there is anything we want to change or would prefer done differently, Terry obliges. I cannot recommend him or his fantastically talented craftsmen enough."
Everyone here was touched by James' kind comments and we can only respond by saying what a pleasure and privilege it is to work with such an excellent international firm of organ builders as Nicholson's. The full message may be read here.
A black and white image can convey an atmosphere that is sometimes absent in colour shots. But then, it takes a first-rate professional photographer like Tony Johnson of the Yorkshire Post to capture the ambience and to compose and frame a successful shot. We have been fortunate that our work making organ pipes by hand has attracted the attention of various newspapers over the years and Tony took this picture of Terry Shires in connection with a feature about us.
We take pride in cutting corners at Shires Organ Pipes from time to time – but only when we are creating mitres for our customers.
Mitred joints allow organ pipes that would otherwise be too tall to fit into a particular space. In the example on the right, almost a third of the height of the bottom six zinc pipes is bent through 90 degrees.
This tricky technique requires the pipes to be made to their full length and then sawn to the correct dimension in a mitre block.
The angled pieces are then in turn tacked and soldered by hand, a process which requires experience, patience, precision and dexterity.
This rank of pedal pipes in polished zinc was made and mitred in our workshop by Terry Doyle for a British organ builder and is destined for a church in Australia.